Amimitl chico by Fanie Simon

A powerful sense of journey and determined direction is achieved in Amimitl through its striking visual division and diagonal dynamism. The title references the Aztec god of lakes and fishing, embodying the relentless flow of water and the necessary precision of the hunt.

The Beech multiplex features an etched texture that provides a rich, tactile surface whose appearance shifts with ambient light. A bold, shimmering vein of metal leaf cuts across the composition, establishing an immediate and powerful focal point. The work suggests the fluid interplay of natural currents and purposeful human intent, offering a visual exploration of movement and the powerful, unseen forces that guide our way.

Fanie Simon (b. 1986) is a Swiss artist and designer whose practice spans woodworking, furniture design, and visual art. Originally from Basel, she spent several years in Tulum, Mexico, where she developed her interest in designing and building furniture, a path that ultimately led her to the creation of her unique artworks.

Simon describes her pieces as “wood mosaics” or “puzzles,” reflecting her intuitive approach to composition as a form of meditation. She places one piece of wood next to another, often randomly, letting patterns and symmetries emerge organically. In the process of finding balance, she notes a connection to the Rorschach test, revealing her meticulous yet playful engagement with form. Each artwork is a result of weeks of experimentation: starting, reworking, discarding, and reassembling, with the final state often documented photographically before a new iteration begins. Sketches are rare; the work evolves directly through material and intuition.

This artwork was part of THE HOUSE WE CARRY exhibition in November 2025.