Tonatiuh by Fanie Simon

Tonatiuh is defined by its bold central composition and sharp radial geometry, asserting a vital, compelling presence. The title refers to the Aztec Sun God, symbolizing the fifth cosmic era, the intense energy required to maintain time, and the necessary balance of the four elements.

A rich texture is established by the varied wood grains of Crystal Beech, Maple, and Spruce, which are punctuated by geometric blocks of colored Acrylic lacquer. This skillful material interplay creates a sense that is both rooted in ancient craft and strikingly contemporary. The work considers themes of elemental balance and temporal cycles, providing a close consideration of the essential, burning force at the center of existence.

Fanie Simon (b. 1986) is a Swiss artist and designer whose practice spans woodworking, furniture design, and visual art. Originally from Basel, she spent several years in Tulum, Mexico, where she developed her interest in designing and building furniture, a path that ultimately led her to the creation of her unique artworks.

Simon describes her pieces as “wood mosaics” or “puzzles,” reflecting her intuitive approach to composition as a form of meditation. She places one piece of wood next to another, often randomly, letting patterns and symmetries emerge organically. In the process of finding balance, she notes a connection to the Rorschach test, revealing her meticulous yet playful engagement with form. Each artwork is a result of weeks of experimentation: starting, reworking, discarding, and reassembling, with the final state often documented photographically before a new iteration begins. Sketches are rare; the work evolves directly through material and intuition.

This artwork was part of THE HOUSE WE CARRY exhibition in November 2025.